Everything about it is emotionally abusive and it hits her at that moment. For me acting-wise, it was such an unraveling to be able to see these screens and what they controlled. That is one of my favorite scenes, because she has lived in this place her whole life, but walking into that cleaning room she just now realizes there is something so horrendous and controlling behind all these closed doors. Her crusade has been to avenge him - so what does that moment mean to her? Whether it was an act of mercy or a power move before sending her out to clean, Bernard brings Juliette into the all-seeing surveillance room to show her a video that proves George (Ferdinand Kingsley) jumped to his death in order to protect the Flamekeepers and the drive.
#TWO SILOS RESTAURANT TV#
I hate working with green screen and blue screen, and I’ve been fortunate enough not to with “Dune” and “Mission: Impossible.” To walk into a world of TV shows that I thought weren’t going to be the scale that we have managed to create here, it blows my mind every day. It is phenomenal, and for us actors, it is everything. They are letting us create these entire worlds. They could green screen and blue screen this, but they’re not. When I walked on set, I realized how much they put into this show. It’s going to sound like I’m blowing smoke up Apple’s ass for a moment, because I am. But back then, TV was very different from what it is today. I did a TV show a long time ago called “The White Queen,” and the sets were great. What has been like to work on that scale in episodic TV? You’ve worked on some very large-scale films, two of which come out this year –– “Mission: Impossible – Dead Reckoning, Part 1” and “Dune Part 2.” But “Silo” has its own massive scale with huge practical sets.
Looking ahead to Season 2, Ferguson shared with Variety the finale scene that ranks among her favorites, how it was to film on the show’s enormous practically built sets - and teases what little she can about what’s to come on the show. It is that last breath, it is that last bloody push as a rebel against everything.” “We always hold onto hope, and I don’t want people to feel that she lets go of it,” Ferguson says. The even bigger shock comes when the camera zooms out from Juliette’s walk to show the silo she just left is surrounded by dozens of other possible silos, meaning there could be countless other subterranean communities that also think they are the last 10,000 people on Earth.įortunately, the wait for answers won’t be long, as Apple has already greenlit Season 2, and production is underway in the United Kingdom.ĭuring a break on set, Ferguson talked about the finale, and why she wants people to know Juliette never resigns to her bleak circumstances by the end of the season. First, Juliette learns the video of blue skies and green grass she’d seen on the hard drive –– the one she and the Flamekeepers thought proves the world outside the silo isn’t a toxic wasteland –– was in fact an illusion meant to give those sent out to clean a blissful final image before the toxic air seeps into their suit and they die. But surviving long enough to ascend the ridge presents a new set of issues.
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